Critically analyse the opening sequence of Mike Nichols "The Graduate"(1968)

I want to say just one account book to you-just one word. Yes sir. Are you listening? Yes I am. Plastics. -Mr McGuire to gum genus Benzoin Braddock, The have(1967) The fine-tune, directed by Mike Nichols and star Dustin Hoffman and Anne Bancroft , was released in 1967 to a gen eonlly rapturous reception. Along with Bonnie and Clyde- which was released in the similar year- The Graduate captured the sprit of the times and heralded a forward-looking era in picmaking. Before this period the authorised biography that served Hollywood filmmaking for almost 60 years had been criticised for being as well basic. provided by 1967, techniques favoured by the French filmmakers of the new wave began to tighten through to Hollywood. This era became known as the can authoritative era. However as Peter Kramer comments:- Post classicism does non match to a complete break in American film history; rather the term is meant to highlight the fact that...Hollywood has undergone a spec ialise of fundamental changes which deserve critical attention. As Kramer suggests, the changes from classical to post-classical are non clearly defined but it is important to melodic line there was a significant change. The films coming out of Hollywood post 1967(with exceptions of course) credited the audience with being able to hypothesize beyond the basic narrative and read symbols and metaphors.

It was entertainment with a brain. In this turn out I intend to hit the books the first four and half(a) minutes of The Graduate- the opening epoch so to speak. I will look at the counsel Nichols uses sound, fra ming, mise-en-scene and action and converse! to set up character and the movies themes. The Graduate tells the story of Benjamin Braddock(Dustin Hoffman), a college graduate heading derriere home to Los Angeles from his reading in the east. Benjamin is a muddled and innocent young person who... If you want to get a full essay, order it on our website: BestEssayCheap.com

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